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8 January 1836 – 25 June 1912. Most renowned painters.

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Frans Mortelmans
Still life with pineapple, grapes, apples and pomegranates

ID: 81356

Frans Mortelmans Still life with pineapple, grapes, apples and pomegranates
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Frans Mortelmans Still life with pineapple, grapes, apples and pomegranates


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Frans Mortelmans

painted Still life with pineapple, grapes, apples and pomegranates in c. 1882   Related Paintings of Frans Mortelmans :. | Houses of Parliament,Reflections on the Thames | Portrait of a Young Woman | 'Chaucer at the Court of Edward III | Glencoe | Chat in a small way those who |
Related Artists:
catalan school
banquet of herod mid-fifteenth century new york, metropolitan museum
Pontormo, Jacopo
b Pontormo, nr Empoli, 26 May 1494; d Florence, 31 Dec 1556). Italian painter and draughtsman. He was the leading painter in mid-16th-century Florence and one of the most original and extraordinary of Mannerist artists. His eccentric personality, solitary and slow working habits and capricious attitude towards his patrons are described by Vasari; his own diary, which covers the years 1554-6, further reveals a character with neurotic and secretive aspects. Pontormo enjoyed the protection of the Medici family throughout his career but, unlike Agnolo Bronzino and Giorgio Vasari, did not become court painter. His subjective portrait style did not lend itself to the state portrait. He produced few mythological works and after 1540 devoted himself almost exclusively to religious subjects. His drawings, mainly figure studies in red and black chalk, are among the highest expressions of the great Florentine tradition of draughtsmanship; close to 400 survive, forming arguably the most important body of drawings by a Mannerist painter. His highly personal style was much influenced by Michelangelo
VLIEGER, Simon de
b. 1601, Rotterdam, d. 1653, Weesp..Dutch painter, draughtsman, etcher and stained-glass designer. He was one of the leading marine and landscape artists of the Dutch school and decisively influenced the direction of Dutch marine art during the 1630s and 1640s. His late works anticipated the shift from the monochrome or tonal phase of Dutch marine art to the more classical style of Jan van de Cappelle and Willem van de Velde the younger






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